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Published by
Capella Romana,
August 4, 2005
Cappella Romana to Record New
CD of
THE DIVINE
LITURGY IN ENGLISH
SUNG TO BYZANTINE CHANT
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4 August 2005 — Portland, Ore., Seattle, Wash.
Following the successful release of Cappella
Romana's latest CD "Lay Aside All Earthly
Cares," Cappella Romana will enter the studio
again August 6-10 for a groundbreaking recording
of the Divine Liturgy of St. John Chrysostom in
English set to traditional Byzantine chant.
Part of Cappella Romana's three-year program,
"Excellence for Orthodox Liturgical Music in
English," this recording will be complemented by
published musical scores in Byzantine and
Western notation. On its own, the recording will
be treasured by lovers of Byzantine chant and
Orthodox liturgy. Together with its companion
scores and editorial notes, it will be a
valuable educational and liturgical resource.
The Recording
The music will be sung by the male voices of
Cappella Romana in the splendid acoustics of
Holy Rosary Church in West Seattle, where the
ensemble regularly gives concerts. The deacon's
portions of the service will be chanted by the
Rev. Dr. John Chryssavgis, while the Very Rev.
Dr. Meletios Webber will serve as celebrant. The
producer will be multiple Grammy-award winner
Steve Barnett, who is currently supervising
post-production of two forthcoming Cappella
Romana recordings ("Fall of Constantinople" and
"Byzantium in Rome"). Athenian cantor and
scholar Ioannis Arvanitis will also serve as a
stylistic consultant at the recording sessions.
The Musical Settings
An international editorial committee chaired by
Cappella's artistic director, Dr. Alexander
Lingas, chose the original Greek
chants--representing the most spiritually and
historically authoritative traditions of
Byzantine liturgical singing--to serve as models
for the English settings. The final versions of
the English scores were prepared by John M.
Boyer in both Byzantine and Western notation. An
innovative feature of this project is the
presentation of the Western versions of the
chants on two staves: a) a direct and
unornamented transcription of the Byzantine
notation; and b) one possible rendering of the
Byzantine characters in the light of oral
tradition.
See sample below. The scores will be
published through PSALM, the Pan-Orthodox
Society for the Advancement of Liturgical Music.
The Text
With the blessings of His Eminence Archbishop
Gregorios, this project will employ the official
translation of the Ecumenical Patriarchate's
Archdiocese of Thyateira and Great Britain. A
careful and theologically sound rendering of the
original Greek into reverent modern English,
this translation was produced in 1995 by some of
world Orthodoxy's leading scholars, including
Archimandrite Ephrem (Lash), the Rev. Dr. Andrew
Louth, and Bishop Kallistos (Ware) of Diokleia.
Funding and support
This program is supported in part by a
leadership grant from the Virginia H. Farah
Foundation, which covers about 42% of the
$32,000 budget. To complete the project,
Cappella Romana is in the midst of a campaign to
raise the funds needed by next spring to release
the CD. Individual donors are encouraged to add
their support to this important groundbreaking
project. Please contact executive director
Mark Powell for more information.
About Cappella Romana
Based in the Pacific Northwest, Cappella Romana
presents a regular series concerts in Portland,
Oregon, and Seattle, Washington. The ensemble
made its European debut in March 2004 at the
Byzantine Festival in London, performing to over
2,000 people in St. Paul's Cathedral. In 2005 it
completed its first tour to Northern Ireland and
the Republic of Ireland. Its New York debut took
place in April 2004 at the Metropolitan Museum
of Art during the exhibit "Byzantium: Faith and
Power 1261-1557." Yale University, Princeton
University, the Holy Trinity Cultural Series
(Indianapolis), and the Bloomington (Indiana)
Early Music Festival also presented the
ensemble, as well as the J. Paul Getty Museum in
November 2004.
Directed by founder Dr. Alexander Lingas,
Cappella Romana is a vocal chamber ensemble
dedicated to combining passion with scholarship
in its exploration of the musical traditions of
the Christian East and West, with emphasis on
early and contemporary music. Performing music
of the Three Romes, its name is derived from the
medieval concept of the Roman oikoumene
(inhabited world), which included not only "Old"
Rome and Western Europe but also "New Rome"
(Constantinople) and "Third Rome" (Moscow) and
its commonwealth of Slavic countries.
For further information, please call (503)
236-8202 or (206) 683-9543
Email: info@cappellaromana.org • Web
www.cappellaromana.org

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